{"id":1088,"date":"2016-12-01T01:12:41","date_gmt":"2016-11-30T23:12:41","guid":{"rendered":"https:\/\/videoactivism.net\/?p=1088"},"modified":"2019-07-31T21:13:57","modified_gmt":"2019-07-31T19:13:57","slug":"come-on-rise","status":"publish","type":"post","link":"https:\/\/videoactivism.net\/en\/come-on-rise\/","title":{"rendered":"Come On Rise"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\"  style='background-color: #ffffff;background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;'><div class=\"fusion-builder-row fusion-row \"><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-0 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height 1_1\"  style='margin-top:0px;margin-bottom:0px;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height 1_1\"  style='margin-top:0px;margin-bottom:0px;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-six\" style=\"margin-top:0px;margin-bottom:31px;\"><h6 class=\"title-heading-left\" style=\"margin:0;\"><p>Jihadist hate propaganda as video activism: how the web video COME ON RISE acts as a call to action in the context of the so-called Islamic State&#8217;s current <em>Lone Actor<\/em> campaign<\/p>\n<p><!--more--><\/p><\/h6><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_2_3 fusion-builder-column-2 fusion-two-third fusion-column-first 2_3\"  style='margin-top:0px;margin-bottom:20px;width:65.3333%; margin-right: 4%;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><div class=\"fusion-text\"><p>Describing online propaganda, especially extremist material\u00a0such as the clips spread by the so-called \u201cIslamic State of Iraq and the Levant\u201d (ISIL), as a form of activism is problematic, to say the least \u2013 activism on the Web 2.0 in particular is most commonly associated with democratisation, social participation and civic engagement, while the term \u201cpropaganda\u201d has in most cases become synonymous with manipulation and deception and is, accordingly, now being used pejoratively in everyday life. Propaganda in its broadest sense has, however, at least one feature in common with civic-society activism: in both cases, the purpose of one&#8217;s efforts is focused, goal-oriented political activity beyond the reach of established political institutions and processes. Therefore, propaganda often makes use of similar methods and means. The 2014 online campaign \u201cOne Billion Muslims\u201d \u2013 which called upon Muslim Facebook users to show their support for ISIL by posting and sharing Jihadist pictures \u2013 proves just how similar, even downright identical the methods employed by civic and extremist online activism can, in certain cases, be.<\/p>\n<p>The peculiarity of extremist \u201cactivist\u201d videos on the internet in particular is reflected in the fact that (pro-)ISIL clips are basically unobtainable through official, reliable sources, nor are there undisputed records of total viewcounts, shares and other statistics. As such\u00a0clips violate human dignity and glorify acts of violence, terrorism and war, they are often considered illegal under national law and violate most social media services&#8217; terms of use. Even though they are usually quickly detected and subsequently deleted along with all user comments, they quickly reappear on other sites \u2013 uploaded from a different account or with a new title and description. As there is no such thing as an\u00a0ISIL YouTube channel, a main website or a central online hub, evaluating these videos can often prove difficult. In this context, \u201cfan communities\u201d \u2013 groups of distributors who often produce Jihadist content themselves, but are not, at least not strictly speaking, part of ISIL \u2013 have shown to be extremely important. Individual ISIL supporters can, such is the underlying idea, create their own content by cutting excerpts from pre-existing footage and combining these snippets with new and other foreign material.<\/p>\n<p>The video COME ON RISE, a primarily English-language video produced by the \u201cpro-ISIL press office\u201d al-Thabat (meaning \u201cfortitude\u201d) and published in mid-August 2016 via their Telegram channel, serves as an example for said remix practices. It remains unclear at this time who is behind al-Thabat and how the organisation is connected to official ISIL media departments. In the video&#8217;s opening seconds (with a total runtime of approximately 3 minutes 36 seconds), as is typical for Jihadist videos, the Tawhid article of the Shahada, the Muslim profession of faith, is displayed in white lettering on a black background. The statement \u201cThere is no god but Allah\u201d is visualised in the basic, easy-to-read font used in other ISIL clips \u2013 those produced by the al-Hayat Media Centre, for example. Following the over-the-top intro (complete with a computer-animated high-tech crossbow, arrows exploding in giant bursts of flame and a waving ISIL flag bearing the metallic al-Thabat logo), 3D-animated words are thrown on-screen with a menacing thud, the image \u201ctrembling\u201d beneath their weight \u2013 first, the title \u201cCome on Rise\u201d in steel-textured letters, then the names of several countries at war with ISIL, including the targets of past and future terror attacks, each displayed with an added Arabic subtitle: \u201cIn France\u201d, \u201cIn America\u201d, \u201cIn Belgium\u201d, \u201cIn Russia\u201d, and so on.<\/p>\n<p>Then, in less bombastic fashion, a statement by \u201cAl Ahaik Abu Muhammad Al Adnani\u201d is shown in front of a dark green background, slowly crawling upwards and inch by inch making its way past a small cropped image of the ISIL spokesman in full combat gear, posing with his Kalashnikov and magazine vest. The speaker&#8217;s voice, slightly distorted by an added reverb effect and subtitled for Arabic viewers, addresses all Jihadist fighters in Europe and the \u201cinfidel West\u201d in general, demanding that they attack the \u201ccrusaders\u201d in their own countries: \u201e<em>We will argue, before Allah, against any Muslim who has the ability to shed a single drop of crusader blood but does not do so, whether with an explosive device, a bullet, a knife, a car, a rock, or even a boot or a fist.<\/em>\u201c This quote, which alongside a second excerpt shown later in the video works as a kind of framing device, is taken from one of Adnani&#8217;s speeches held in January 2015 in which he reiterated the main points from a previous and widely-quoted speech of his, &#8220;Indeed Your Lord Is Ever Watchful&#8221;. Held in September 2014, the latter speech contained a direct call to action, with Adnani propagating individual lone-wolf terrorism and urging ISIL supporters to fight and kill disbelievers in their home countries \u2013 by any means possible, available and necessary. Originally, Al-Qaeda was among the first to propagate this kind of \u201cleaderless jihad\u201d meant to carry or re-import the holy war into the enemies&#8217; cities; campaign videos and infographics circulating in social media taught their audience how to carry out terrorist attacks with knives, vehicles and by other every-day means. The high-quality PDF magazine \u201cInspire\u201d, which since its inception in 2010 has been published regularly by \u201cAl Qaeda in the Arabian Peninsula\u201d (AQAP), a terrorist organisation which operates primarily in Yemen and Saudi-Arabia, became notorious \u2013 infamous, even \u2013 for similar pieces of advice: in 2013, the magazine published its\u00a0own \u201choly warrior&#8217;s paperback\u201d \u2013 and more recently, in light of the Orlando and Nice attacks, special \u201cguides\u201d for \u201cLone Mujahids\u201d.<\/p>\n<p>The al-Thabat video\u00a0COME ON RISE can thus be seen as a contribution to ISIL&#8217;s Lone Actor campaign, a strategy also advertised in a number of other Jihadist videos. In addition to the Adnani quote, the video sketches a brief outline of the historical framework of Jihad, a collage made of various video snippets: scenes from a historical drama film show a cavalry battle between Muslims and Crusaders, followed by a photograph taken at an anti-ISIL conference with US Secretary of State John Kerry as well as Pentagon aerial recordings of a bomb detonation or a missile attack, presumably in Syria. On both the pictorial and commentary level, popular Jihadist master narratives are spun and elaborated once more \u2013 narratives according to which the West currently is and has for the longest time been waging a centuries-old war of aggression on the Muslim world. Past and present are linked by virtual \u201ccamera display\u201d effects \u2013 including a \u201cREC\u201d overlay complete with a flashing red dot \u2013 and are therefore presented in pseudo-documentary fashion. Especially considering the fictional war drama battle scenes, full costumes and all, this authenticating gesture appears peculiarly anachronistic.<\/p>\n<p>The effects overlay is also used in the following shots, highlighting the video&#8217;s central message \u2013 calling upon the muslim audience to kill disbelievers \u2013 by showing two masked figures equipped with knives and assault rifles engaged in close-quarters combat on a staircase. The black garments as well as the dramatised knife combat scene\u00a0serve as a thematic bridge to an excerpt taken from an ISIL execution video entitled ALTHOUGH DISBELIEVERS DISLIKE IT (13 November 2014, al-Furqan) \u2013 a highly aestheticised and cruelly\u00a0choreographed video depicting the mass execution of Syrian soldiers, and the same video in which the death of US development aid worker Peter Kassig was announced and brutally documented (see background literature). In the short excerpt shown in COME ON RISE, the masked man known as &#8220;Jihadi John&#8221; slashes his black-clad victim&#8217;s throat; the decapitation, only the first seconds of which are actually shown, is dramatised even further by an added\u00a0sound effect. Then, several more excerpts from various propaganda videos and news reels are shown, framed\u00a0by images of ISIL fighters, the chaos and bloodshed in the immediate aftermath of terror attacks as well as a close-up shot of a victim&#8217;s severed head. This culminates in a photo collage of Omar Mir Seddique Mateens &#8220;selfies&#8221; \u2013 the terrorist who shot dead 49 people at the &#8220;Pulse&#8221; nightclub in Orlando, Florida, and is therefore praised by al-Thabat as a role-model for all &#8220;lone wolves&#8221;.<\/p>\n<p>All things considered, however, COME ON RISE and al-Thabat do not play a prominent role amidst the flood of ISIL propaganda. Other web videos have been subject to much more in-depth discussion and analysis due to their content, in particular the threats issued, or their formal aesthetic qualities. In the latter respect, COME ON RISE seems rather substandard by comparison \u2013 for example, elaborate ornamental or infographic computer animations frequently used by the al-Hayat or the al-Furqan Media Centres in order to visualise &#8220;war facts&#8221;, historical processes, political constellations, the heroism of the religious fighters or the internal weaknesses of the US are nowhere to be found here. (In contrast, NO RESPITE by the al-Hayat Media Centre, which appeared in several languages, serves as an example of a professionally handcrafted, albeit somewhat over-produced video.)<\/p>\n<p>What makes an otherwise mediocre clip like COME ON RISE nonetheless special is the simultaneous\u00a0implementation of several key features of ISIL propaganda videos: the ideological-historical framing of the central Jihadist narrative and the call to action with regards to the current Lone Actor campaign stand out in particular. Furthermore, the clip&#8217;s self-referential character should be noted, as well as a certain degree of intertextuality shown by the abundance of images of different origin. COME ON RISE also illustrates a further, even more worrying point: how casually violent and graphic images are used nowadays. This apathy, this indifference to violent scenes is exemplified by a recent trend regarding execution videos \u2013 videos which, in an attempt to continuously outdo each other in terms of crassness, use more and more excessively brutal imagery \u2013 and ultimately, with a hint of macabre irony, culminates\u00a0in dwindling media attention.<\/p>\n<p style=\"text-align: right;\"><em>Bernd Zywietz<\/em><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_3 fusion-builder-column-3 fusion-one-third fusion-column-last 1_3\"  style='margin-top:0px;margin-bottom:20px;width:30.6666%'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><div class=\"fusion-content-boxes content-boxes columns row fusion-columns-1 fusion-columns-total-1 fusion-content-boxes-1 content-boxes-icon-on-side content-left\" data-animationOffset=\"100%\" style=\"margin-top:0px;margin-bottom:60px;\"><style type=\"text\/css\">.fusion-content-boxes-1 .heading .content-box-heading {color:#7a848c;}\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .heading .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .heading .heading-link .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .heading .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .heading .heading-link .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover.link-area-box .fusion-read-more,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover.link-area-box .fusion-read-more::after,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover.link-area-box .fusion-read-more::before,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .fusion-read-more:hover:after,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .fusion-read-more:hover:before,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .fusion-read-more:hover,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover.link-area-box .fusion-read-more,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover.link-area-box .fusion-read-more::after,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover.link-area-box .fusion-read-more::before,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .icon .circle-no,\n\t\t\t\t\t.fusion-content-boxes-1 .heading .heading-link:hover .content-box-heading {\n\t\t\t\t\t\tcolor: #9e9e9e;\n\t\t\t\t\t}\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .icon .circle-no {\n\t\t\t\t\t\tcolor: #9e9e9e !important;\n\t\t\t\t\t}.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box.link-area-box-hover .fusion-content-box-button {background: #d6d6d6;color: #787878;background-image: -webkit-gradient( linear, left bottom, left top, from( #e8e8e8 ), to( #d6d6d6 ) );background-image: linear-gradient( to top, #e8e8e8, #d6d6d6 )}.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box.link-area-box-hover .fusion-content-box-button .fusion-button-text {color: #787878;}\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .heading .icon > span {\n\t\t\t\t\t\tbackground-color: #9e9e9e !important;\n\t\t\t\t\t}\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .heading .icon > span {\n\t\t\t\t\t\tborder-color: #9e9e9e !important;\n\t\t\t\t\t}<\/style><div class=\"fusion-column content-box-column content-box-column content-box-column-1 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper link-area-link-icon icon-hover-animation-fade\" style=\"background-color:transparent;\" data-animationOffset=\"100%\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#333333;box-sizing:content-box;height:42px;width:42px;line-height:42px;border-radius:50%;color:#ffffff;font-size:21px;\" class=\"fontawesome-icon fa fa-exclamation circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"font-size:18px;line-height:23px;padding-left:64px;\">Notice<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\" style=\"padding-left:64px;color:#747474;\">COME ON RISE does not only show, but also actively endorses brutal acts of violence. Therefore, it will not be embedded in this website.<\/div><\/div><\/div><style type=\"text\/css\">\n\t\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .heading-link:hover .icon i.circle-yes,\n\t\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box:hover .heading-link .icon i.circle-yes,\n\t\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .heading .icon i.circle-yes,\n\t\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .heading .icon i.circle-yes {\n\t\t\t\t\t\t\tbackground-color: #9e9e9e !important;\n\t\t\t\t\t\t\tborder-color: #9e9e9e !important;\n\t\t\t\t\t\t}<\/style><div class=\"fusion-clearfix\"><\/div><\/div><div class=\"fusion-content-boxes content-boxes columns row fusion-columns-1 fusion-columns-total-1 fusion-content-boxes-2 content-boxes-icon-on-side content-left\" data-animationOffset=\"100%\" style=\"margin-top:0px;margin-bottom:60px;\"><style type=\"text\/css\">.fusion-content-boxes-2 .heading .content-box-heading {color:#7a848c;}\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-link-icon-hover .heading .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-link-icon-hover .heading .heading-link .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box-hover .heading .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box-hover .heading .heading-link .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-link-icon-hover.link-area-box .fusion-read-more,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-link-icon-hover.link-area-box .fusion-read-more::after,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-link-icon-hover.link-area-box .fusion-read-more::before,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .fusion-read-more:hover:after,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .fusion-read-more:hover:before,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .fusion-read-more:hover,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box-hover.link-area-box .fusion-read-more,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box-hover.link-area-box .fusion-read-more::after,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box-hover.link-area-box .fusion-read-more::before,\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-link-icon-hover .icon .circle-no,\n\t\t\t\t\t.fusion-content-boxes-2 .heading .heading-link:hover .content-box-heading {\n\t\t\t\t\t\tcolor: #9e9e9e;\n\t\t\t\t\t}\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box-hover .icon .circle-no {\n\t\t\t\t\t\tcolor: #9e9e9e !important;\n\t\t\t\t\t}.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box.link-area-box-hover .fusion-content-box-button {background: #d6d6d6;color: #787878;background-image: -webkit-gradient( linear, left bottom, left top, from( #e8e8e8 ), to( #d6d6d6 ) );background-image: linear-gradient( to top, #e8e8e8, #d6d6d6 )}.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box.link-area-box-hover .fusion-content-box-button .fusion-button-text {color: #787878;}\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-link-icon-hover .heading .icon > span {\n\t\t\t\t\t\tbackground-color: #9e9e9e !important;\n\t\t\t\t\t}\n\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box-hover .heading .icon > span {\n\t\t\t\t\t\tborder-color: #9e9e9e !important;\n\t\t\t\t\t}<\/style><div class=\"fusion-column content-box-column content-box-column content-box-column-1 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper link-area-link-icon icon-hover-animation-fade\" style=\"background-color:transparent;\" data-animationOffset=\"100%\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#333333;box-sizing:content-box;height:42px;width:42px;line-height:42px;border-radius:50%;color:#ffffff;font-size:21px;\" class=\"fontawesome-icon fa fa-book circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"font-size:18px;line-height:23px;padding-left:64px;\">further reading<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\" style=\"padding-left:64px;color:#747474;\">[in German] Tartaglia, Henri (2014): \u201eEine Milliarde Muslime\u201c: Deutsche Islamisten starten Facebook-Kampagne f\u00fcr ISIS. Vice.com, 19.6.2014. Website, <a href=\"https:\/\/www.vice.com\/de\/article\/eine-milliarde-muslime-deutsche-islamisten-starten-facebook-kampagne-fuer-isis\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.vice.com\/de\/read\/eine-milliarde-muslime-deutsche-islamisten-starten-facebook-kampagne-fuer-isis<\/a><\/p>\n[in German] Zywietz, Bernd (2015): Islamistische Videopropaganda und die Relevanz ihrer \u00c4sthetik. Die Kriminalpolizei, 3\/2015, Website, <a href=\"http:\/\/www.kriminalpolizei.de\/ausgaben\/2015\/september\/detailansicht-september\/artikel\/islamistische-videopropaganda-und-die-relevanz-ihrer-aesthetik.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.kriminalpolizei.de\/ausgaben\/2015\/september\/detailansicht-september\/artikel\/islamistische-videopropaganda-und-die-relevanz-ihrer-aesthetik.html<\/a><\/p>\n<p>Quilliam Foundation \/ TRAC (Terrorism Research &amp; Analysis Consortium) (2015): Detailed Analysis of Islamic State Propaganda Video: \u2018Although the Disbelievers Dislike It\u2019, Website: <a href=\"http:\/\/web.archive.org\/web\/20161104215958\/http:\/\/www.quilliamfoundation.org\/wp\/wp-content\/uploads\/publications\/free\/detailed-analysis-of-islamic-state-propaganda-video.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.quilliamfoundation.org\/wp\/wp-content\/uploads\/publications\/free\/detailed-analysis-of-islamic-state-propaganda-video.pdf<\/a><\/div><\/div><\/div><style type=\"text\/css\">\n\t\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .heading-link:hover .icon i.circle-yes,\n\t\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box:hover .heading-link .icon i.circle-yes,\n\t\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-link-icon-hover .heading .icon i.circle-yes,\n\t\t\t\t\t\t.fusion-content-boxes-2 .fusion-content-box-hover .link-area-box-hover .heading .icon i.circle-yes {\n\t\t\t\t\t\t\tbackground-color: #9e9e9e !important;\n\t\t\t\t\t\t\tborder-color: #9e9e9e !important;\n\t\t\t\t\t\t}<\/style><div class=\"fusion-clearfix\"><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>","protected":false},"excerpt":{"rendered":"<p>Jihadist hate propaganda as video activism: how the web video COME ON RISE acts as a call to action in the context of the so-called Islamic State&#8217;s current Lone Actor campaign<\/p>\n","protected":false},"author":11,"featured_media":1185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":[],"categories":[3],"tags":[69,48],"_links":{"self":[{"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/posts\/1088"}],"collection":[{"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/comments?post=1088"}],"version-history":[{"count":20,"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/posts\/1088\/revisions"}],"predecessor-version":[{"id":2195,"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/posts\/1088\/revisions\/2195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/media\/1185"}],"wp:attachment":[{"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/media?parent=1088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/categories?post=1088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/videoactivism.net\/en\/wp-json\/wp\/v2\/tags?post=1088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}